Interviews
The voices behind Elstree and Borehamwood’s studios
Since 2010, The Elstree Project has recorded 81 oral-history interviews with the actors, filmmakers, technicians, craftspeople and studio staff who worked across Elstree and Borehamwood’s eight film and television studio sites.
Together, these interviews preserve a unique first-hand history of Britain’s only studio town and of the film and television productions created there for audiences around the world.
Our interviewees have included internationally recognised figures such as Steven Spielberg, Sir Roger Moore, Dame Diana Rigg, Dame Barbara Windsor, Sir Ken Adam, Brian Blessed, Christiane Kubrick, Simon Pegg and Trevor Horn.
Equally important are the memories of the people whose names may be less familiar: camera crews, editors, grips, carpenters, scenic artists, publicists, assistant directors, studio managers, production staff, administrators, chefs and many others whose work made production possible.
The history of a studio does not belong only to its stars and directors. It is the shared history of an entire working community.
A first-hand record of studio life
The interviews explore much more than individual productions. They record how the studios operated, how departments worked together, how technical and creative problems were solved, and how working practices changed across different periods of film and television production.
They also preserve the everyday experiences that are rarely captured in official records: friendships, routines, working conditions, moments of ingenuity and the particular atmosphere of life inside the studio gates.
Many of the people we have interviewed are no longer with us. Their testimony has therefore become an irreplaceable record of knowledge and experience that might otherwise have been lost.
How the archive began
The first interviews were recorded in May 2010 for a University of Hertfordshire research project entitled Kubrick Visions.
These initial conversations focused on Stanley Kubrick and included members of his family and production crews. From September 2010, the research expanded under the name The Elstree Project to document the much wider history of film and television production across Elstree and Borehamwood.
The original Kubrick Visions interviewees were:
- Jan Harlan, Producer: A Clockwork Orange to Eyes Wide Shut
- Christiane Kubrick, Stanley Kubrick’s widow, actor and artist
- Katharina Kubrick, Stanley Kubrick’s daughter
- Julian Senior*, Publicist MGM and Warner Bros
- Tony Palmer, Composer and Director
- Kelvin Pike, Camera Operator 2001: A Space Odyssey, The Shining
- Ron Punter, Scenic Artist: The Shining
- Ray Merrin*, Post-Production Sound: The Shining
- Sir Ken Adam*, Set Designer: Dr Strangelove
The Elstree Project interview archive
The following list records the interviews filmed for The Elstree Project since September 2010.
Some contributors have been interviewed more than once, allowing us to explore particular productions or areas of their careers in greater depth. Several recordings also bring colleagues together to share their memories collectively.
- June Randall*, Continuity: The Shining, A Clockwork Orange, The Avengers
- Kelvin Pike, Camera Operator
- Ron Punter, Scenic Artist
- Ray Merrin* and Terry Rawlings*, Post-Production Sound
- Alf Newvel*, Rigger: The Great Muppet Caper
- Johnny Goodman*, Production Supervisor: The Saint
- Paul Welsh* MBE, Film Historian
- Doug Scott*, Stills Photographer
- Ken Baker, Assistant Director: Labyrinth, The Saint, The Baron, Gideon’s Way, Department S
- John West, Assistant Studio Manager
- Alan Tomkins*, Art Director: Hanover Street
- Mick Mason, Camera Technician: The Shining
- John Hough, Director: The Avengers, The Saint, The Champions, The Baron, The Zoo Gang
- Tom Staples, Boom Operator: The Saint
- Jim Hill, Studio Director
- Neville Reed, Head of Studios: Elstree Film and Television Studios 1996 – 2006
- John Kirsop, Stagehand and Grip
- Ken Pullan*, Carpenter
- John Willis, Publicist
- Mick Brady, Props and Special Effects: 2001: A Space Odyssey, The Prisoner
- Julian Senior*, Publicist MGM and Warner Bros
- Sir Roger Moore*, Actor: The Saint, The Man Who Haunted Himself
- Brian Clemens*, Writer: The Avengers
- John Herron, Film Librarian
- Geoff Glover, Camera Operator: Star Wars, Star Wars: The Empire Strikes Back
- Brian Elvin, Camera Operator: Randall and Hopkirk (Deceased), Department S
- Annie Elvin*, Matte and Roto Supervisor: Who Framed Roger Rabbit
- Ron Punter, third interview – related entirely to Who Framed Roger Rabbit
- Barry Wilkinson, Props Master: Labyrinth, Who Framed Roger Rabbit
- Martin Baker, Floor Manager and Producer: The Muppet Show, Labyrinth, The Great Muppet Caper
- Doug Milsome, Assistant Camera and Cinematographer: The Prisoner, The Shining
- Keith Clement, Head of Development: BBC Elstree Centre
- Brian Cook, Assistant Director: 633 Squadron, Danger Man, The Shining, Flash Gordon
- Brian Blessed, Actor: The Avengers, Randall and Hopkirk (Deceased), Flash Gordon
- John Spooner, Clapper Loader: British National Studios
- Kenneth Cope*, Actor: William Tell, The Avengers, Randall and Hopkirk (Deceased)
- Steven Spielberg, Producer and Director: Indiana Jones trilogy, Who Framed Roger Rabbit
- Joe Turkel*, Actor: The Shining
- Walter Murch, Film and Sound Editor: Julia; Director: Return to Oz
- Roger Morris, Managing Director: Elstree Studios
- Keith Dagley, Development Co-ordinator: Brent Walker Elstree Studios
- Damien Clusky, Carpenter: MGM-British Studios
- Dave Prowse*, Actor: Star Wars, A Clockwork Orange
- Ruby Burke, Tea Lady at MGM-British Studios
- Simon Pegg, Actor: The World’s End, Man Up
- Bryony Dixon, Senior Curator: BFI Silent Film
- Lisa and Louise Burns, Actors: The Shining
- Morris Bright, County Councillor: Chairman, Elstree Studios
- Barbara Windsor* MBE, Actor: Sparrows Can’t Sing, EastEnders
- Garrett Brown, Inventor of the Steadicam: The Shining
- Louise Gold, Muppeteer: The Muppet Show, The Dark Crystal
- Rona McKendrick, Production Manager: EastEnders
- Brian Harris, Camera Operator: Hanover Street, Indiana Jones and the Temple of Doom
- Peter Price, Assistant Director: Danger Man
- Robert Watts*, Producer: Star Wars, Indiana Jones trilogy, Who Framed Roger Rabbit
- Gary Kurtz*, Producer: Star Wars, Return to Oz, Labyrinth
- Colin Wood, Boom Operator
- Eric Robinson, Clapper Loader
- Mickey Pugh, Props: Greystoke: The Legend of Tarzan
- Mike Uwins, Chef: ATV Elstree Studio
- Dennis Fraser MBE, Grip
- George Gibbs*, Special Effects: Indiana Jones Trilogy
- Kelvin Pike and Brian Osborne: The Dam Busters
- Sally Thomsett, Actor: The Railway Children
- Jenny Hanley, Actor: Scars of Dracula
- Dave Goelz, Muppet Performer: The Muppet Show, The Dark Crystal, Labyrinth
- Trevor Horn CBE, Musician and Record Producer: The Buggles “Elstree”
- Howard Berry, Official Historian of Elstree and Borehamwood’s Studios
- Bradley Walsh, Presenter: “The Chase”
- John Stephenson OBE, Mechanical Character Designer: The Dark Crystal, Greystoke, Return to Oz
- Tim Rose, Animatronics, Puppetry and Actor: The Dark Crystal, Return to Oz, Return of the Jedi
- Nigel Plaskitt, Puppetry and Actor: Pipkins, Labyrinth, The Tale of the Bunny Picnic, Mopatop’s Shop
* = deceased. (Last updated July 2026)
Watching and accessing the interviews
Selections from the interview archive can be watched through our documentary films, short films and edited interview collections.
For information about research access to the full archive or licensing footage for use in other productions, please visit our Access and Licensing page.
Share your story
The interview archive continues to grow.
We are always interested in hearing from people who worked at any of Elstree and Borehamwood’s eight studio sites—whether in front of the camera, behind the scenes, in a workshop, technical department, production office, administrative role, catering, facilities or any other part of studio life.
We are particularly keen to record experiences from studios and areas of work that are currently less well represented in the archive, as well as the voices of women and others whose contributions have too often been overlooked in traditional production histories.
No story is too small to tell. Every contribution helps us build a fuller and more representative history of this extraordinary filmmaking community.
Please contact us if you, a relative or a former colleague may have a story to share.
