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Elstree Studios Reopens Stages 7, 8, 9

On Friday 26 September, Elstree Studios reopened Stages 7, 8 and 9 after being closed for several years due to asbestos and concrete structural issues. Rudolph Walker CBE was asked to cut the ribbon outside of Stage 7 to declare them open once more!

The Elstree Project's director, Howard Berry, was among the invited guests and was asked to speak about the productions made on those stages. Below is a history of the stages and some of those iconic productions.

In 1966, ABPC’s Managing Director Robert Clark — a Scotsman appointed that same year — oversaw the opening of three new stages at Elstree, built at a cost of £1 million to mark the studio’s 40th anniversary.

The expansion reflected the demand for more facilities to serve the booming television market. Both The Saint and The Baron had already been pre-sold in colour to America, and ABPC...

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The Project Records BBC Elstree Centre in 360º Photography

Recently, The Elstree Project were invited to go to BBC Elstree Centre to record and document the building in 360º photography, video and with LiDAR — a laser scanning system which records the exact dimensions, space and details of a room as data which can then be turned into a virtual 3D model. We spent four days on site at the Fairbanks Building and Neptune House, and we also took an acoustic sound print of Stage M so that its ambient sound tone can be recreated.

The 360º images will be edited together to form a "Google street-view" style interactive tour of the buildings, with embedded stills and audio from our archive. For the first time, the public will be able to walk through the buildings and onto the stages and hear voices of those who worked there.

Here's a preview of Howard on Stage D, as part of our work!

We are delighted to have filmed an interview today with Tim Rose — animatronic character designer, puppeteer and performer. Tim worked on a number of films at Elstree Studios from when he helped the Muppets to learn to ride bicycles on The Great Muppet Caper, to performing as the iconic character Admiral Akbar in Return of the Jedi. Jim Henson invited Tim to come to Elstree Studios, and he carried on to other productions which included The Dark Crystal, Return to Oz, Greystoke: The Legend of Tarzan, Lord of the Apes, and Labyrinth.

Tim recalled the studio environment at Elstree Studios, including the art department workshops being like "giant cow sheds", where he had to go upstairs to meet production designer Norman Reynolds to ask for work; and the studio restaurant which was catering to George Lucas, Steven Spielberg, Barbara Streisand, Paul McCartney and Ringo Star all at once!

Our huge...

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John Stephenson OBE is our latest interviewee

Yesterday, the project team recorded our latest interview for The Elstree Project with Academy Award-winning filmmaker John Stephenson, whose career began at Elstree Studios on three truly extraordinary films: The Dark Crystal, Greystoke: The Legend of Tarzan, and Return to Oz.

John reflected on the groundbreaking puppetry and character work that defined The Dark Crystal, and the brilliance of Jim Henson — not only as a creative force, but as a leader who empowered and celebrated those around him.

We explored his work with Rick Baker on Greystoke, particularly the pioneering ape costumes and animatronics, and the vast jungle set that filled Stage 6 at Elstree. He also shared stories from Return to Oz, including the engineering behind the Gump, Tik-Tok, the Wheelers, and the Cowardly Lion costume.

John spoke with great fondness about the camaraderie among the crew — people like Tim Rose and Lyle Conway — who moved from one film to the next, forming a unique...

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Bradley Walsh contributes to the Project!

We've really been busy and within a week we are pleased to announce the latest interview for The Elstree Project – number 78, featuring none other than Bradley Walsh, the much-loved host of The Chase.

During our conversation, Bradley spoke about his time at Elstree Studios, where he's worked for 10 years – a full tenth of the studio’s incredible history. He reflected on how special it is to have been a part of that legacy and expressed how proud he is of the work he’s done there.

What really stood out to me, though, was how kind and generous he was with my student crew – a group of PG Film Production students from the University of Hertfordshire. Bradley took the time to shake every single one of their hands, asking about their career ambitions and offering some genuine, thoughtful advice. It was such a great moment for them...

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