Monthly Archives: January 2026

John Maxwell’s Elstree Studios career

Today marks the 99th anniversary of John Maxwell joining Wardour Films and becoming chairman of the board — a move that effectively handed him control of British National Pictures and its principal asset: Elstree Studios.

Maxwell was originally brought in as an intermediary between the company’s founders, J. D. Williams and Isidore Schlesinger, at a moment when internal tensions needed steadying. In practice, however, he didn’t just broker peace — he ultimately replaced them both, and led the studio for the next thirteen years.

A hard-headed businessman from Glasgow, Maxwell introduced a famously frugal approach to studio management. Under his leadership, Elstree acquired the affectionate (and slightly barbed) nickname “The Porridge Factory” — a nod both to his Scottish roots and to the tightly controlled budgets that became the studio’s hallmark.

That discipline helped stabilise the operation,...

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Fire on Stage 3!

On this day, 24 January, in 1979, as The Shining moved into its later months at EMI Elstree Studios, a fire broke out in Stage 3 — home to the vast Colorado Lounge set. Cast and crew were working nearby on Stage 4 when word came through, and within minutes thick black smoke was filling the service corridors between the stages.

We interviewed Ray Merrin, Doug Milsome and Steven Spielberg who all had memories of the fire.

Sound re-recording mixer Ray Merrin remembered how quickly the rumour of “a little fire” turned into something else entirely — punctuated by one of the most surreal details of the night. The dubbing studio door opened and in walked Norman Gay, an actor still in costume: “all dressed up with a bow tie, blood pouring down his face… ‘Please, can I stay in here?… The paramedics are trying to take me away.’” The...

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The opening of the George Lucas Stage

On 22 January 1999, the George Lucas Stages at Elstree Studios were formally opened by Prince Charles, marking one of the most significant moments in the studio’s modern revival.

The two sound stages — jointly named in honour of George Lucas — formed part of a £10 million investment to rejuvenate the studios, following their rescue by Hertsmere Borough Council in 1996. Around £5 million of that funding went directly into the construction of the stages themselves, helping to secure Elstree’s future as a working film studio at the end of the 20th century.

When they were built, the George Lucas Stages were the highest sound stages in Europe. To control noise breakthrough, the structure was designed with an exceptionally heavy roof loading, made up of multiple layers of acoustic materials. The roof was also engineered to carry very high...

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Elstree Calling – the first British musical

On 31 January, the British Film Institute will screen Elstree Calling — a film that sits right at the beginning of British sound cinema, and one that tells us a great deal about Elstree’s ambitions at the dawn of the talkies.

Made in 1930 at Elstree Studios, when the site operated as British International Pictures under managing director John Maxwell, Elstree Calling is often described as the first British musical film. Rather than telling a single story, it takes the form of a music-hall style revue, framed as a live broadcast to the nation — strikingly imagined as a television transmission years before television would become a reality in British homes.

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Paddington in Elstree

On this day in 2015, Paddington opened in US cinemas — following its UK (and Peruvian!) release in November 2014.

While many parts of the film were shot on location — including forests in Costa Rica and London landmarks such as Paddington Station and the Natural History Museum — Elstree Studios also became home to the little bear from Darkest Peru, with filming taking place on the George Lucas Stages 1 and 2, as well as the historic Stage 7 at Elstree Studios.

Sets built at Elstree Studios included the Browns’ house, the Geographers’ Guild, and the delightful doll’s house sequence, which presents the entire Brown family in an overview of their busy and eclectic home.

Although the exterior of 32 Windsor Gardens is a real...

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2001: A Space Odyssey films at MGM

In January 1966, 2001: A Space Odyssey moved its production to MGM British Studios, after a brief spell at Shepperton Studios where the Tycho Moon Crater excavation was filmed.

What followed at Borehamwood was one of the most extraordinary concentrations of film craft ever assembled in British studios to create sets and effects which still are, 60 years later, among the best ever put to film.

Stages used at MGM British Studios, Borehamwood:
• Stage 1 – Pod Bay
• Stage 2 – Aries Passenger Area
• Stage 3 – The Dawn of Man sequence & interior of the Space Station
• Stage 4 – Centrifuge; Discovery emergency airlock; the white Renaissance-style bedroom
• Stage 5 – Clavius Base conference room
• Stage 6 – HAL’s brain room

MGM British Studios would close...

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The Neptune Fountain

This modernist fountain sculpture has stood outside Neptune House at ATV Elstree Studios (later the BBC Elstree Centre, and now Fairbanks Studios) since the early 1960s. We were recently asked to find out more about the sculpture and who created it, on behalf of the studio, and we're happy to share our research here.

Commissioned by ATV from British sculptor Keith Godwin, the work is recorded in his catalogue as “Fountain at ATV Elstree Studios”. It is a fine example of commissioned sculptural art created specifically for a working television studio — far less well known than BBC public artworks such as "Prospero and Ariel" at Broadcasting House, or "Helios" at BBC Television Centre, which were deliberately sited for public visibility.

Godwin was a noted sculptor of mid-century art, and his other works include "Pastorale" (1956) in Ham, London, and...

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The two Globes of Elstree

When Shakespeare's Globe came to Borehamwood!

Our studios have twice rebuilt Shakespeare’s world — and both times, it did so with the skill of British production craft.

The first Globe Theatre reconstruction was built in 1976 at ATV Elstree Studios for the television series "Will Shakespeare", which starred Tim Curry in the title role. It stood on the lot previously occupied by the set for "Clayhanger", with both productions designed by the brilliant Michael Bailey.

These photographs show Lew Grade visiting the set — a moment that perfectly captures ATV’s confidence in building ambitious and epic dramas for television.

Fast-forward to 2024, and the Globe Theatre rose again —...

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From the archive: The Long and the Short and the Tall

In our archive we have the Michael Balcon Productions press release and a cinema press campaign book as a set of promotional materials relating to The Long and the Short and the Tall — produced at ABPC Elstree Studios and released in 1961 (released as "Jungle Fighters" in the US).

Adapted from Willis Hall’s hard-hitting stage play and directed by Leslie Norman, the film is a tense, psychologically driven war drama set in the Malayan jungle. Rather than focusing on combat, it traps seven British soldiers in the jungle and lets fear, authority, racism, and moral collapse do the damage from within.

The cast is fascinating in hindsight: Richard Todd (who starred in the hugely successful Elstree-made war film The Dam Busters a few years previously), Laurence Harvey, and a young Richard Harris, alongside David McCallum and Ronald Fraser. Notably...

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The 40th anniversary of Labyrinth

This year marks the 40th anniversary of Labyrinth, one of the most visually imaginative films ever made — and one that was forged through British studio craft and artistry at Elstree Studios.

Directed by Jim Henson, and Exec Produced by George Lucas, Labyrinth brought together puppetry, performance, design and practical ingenuity on a fantastically imaginative scale. The art department crew worked at Elstree Studios to bring the sets to life including forests, endless maze walls, the bog of eternal stench, and the Goblin City.

On The Elstree Project website, we’re proud to share a short documentary exploring exactly that:

Building Invisible Walls: Making Jim Henson’s ‘Labyrinth’:

A collection of first-hand stories from the people who helped bring the film to life:
• Martin Baker – Producer
• Ken Baker – First Assistant Director
• Barry Wilkinson –...

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